Updated: Aug 28
A TRUE TALE WITH
A CHERRY ON TOP
Abrams Books for Young Readers
Cameron Kids
pub. 4.1.2025
32 pages
Ages 4 - 8
Author: Nydia Armendia-Sánchez
Illustrator: Loris Lora
Character: Frida Kahlo
Overview:
"Told through the language and imagery of the native Mexican flowers and plants comes the life of acclaimed and beloved artist Frida Kahlo. Like a flower, Frida blossomed, wilted, was crushed, survived, and thrived, growing into one of the most celebrated Indigenous painters.."
Tantalizing taste:
"Like a seed,
Frida sprouted
and burst through the earth
where
the coyotl once foraged.
Coyoacán was the place where Frida grew.
An orange tree
scented the air,
and
yucca, sunflowers, ferns,
roses, palms,
and geraniums
lined the walls,
green against indigo.
Frida bloomed
season after season,
reaching for the sky."
And something more: In the Author's Note, Nydia Armendia-Sánchez writes: "Before writing this book, I saw a picture of Frida wearing her flower crown, and I stopped for a moment. I thought to myself, "What if I were a little bold and a little brave every day, like Frida? Imagine all that I could be. I hope this book wiill empower YOU to fell a little braver and bolder, too."
Edited by the amazing Amy Novesky and designed by the talented Melissa Nelson Greenberg of Cameron Kids (Abrams) -- I can both of their touches in the lyrical beauty of the book.
A Book About Hans Christian Andersen
A TRUE TALE WITH
A CHERRY ON TOP
Neal Porter Books
(Holiday House)
pub. 4.1.2025
32 pages
Ages 4 - 8
Author: Jane Yolen
Illustrator: Brooke Boynton-Hughes
Character: Hans Christian Andersen
Overview:
" A century and a half have passed since Hans Christan Andersen’s death, but his stories are more alive than ever. Across languages, borders, and disciplines, his timeless creations have left a footprint beyond measuring. Now, come along back to the beginning and meet the human that came before the legend."
"Yolen traces via a single, lilting sentence the life of Danish writer Hans Christian Andersen (1805–1875), whose original stories are now considered cultural touchstones. (Publishers Weekly)."
Tantalizing taste:
"...he was a boy who became
a man, a digter – a poet,
who longed for love, but
settled for the friendships
of the high and the mighty,
a man whose stories
were on every tongue
in every tongue,
in places he had never traveled..."
And something more: The Back Matter explains that "Hans Christian Andersen was the son of a poor but literate father, a shoemaker, who read to him and took him to see plays. His illiterate mother, a washerwoman, could not read, but remembered all the folktales she had ever heard...He had so little education that he was frequently laughed at. One of the directors of the Royal Theatre gave him a grant to attend a nearby grammar school... All of the students were much younger than Hans by at least six years... he did well enough to finally go to Copenhagen University."
Write Now With Jeanne Walker Harvey
Today’s Write Now interview features Jeanne Walker Harvey, author of THE GLASS PYRAMID.
Who are you?
My name is Jeanne Walker Harvey and I have the dream job — writing books for children! Except for a brief childhood stint in Illinois, I’ve always lived in California, beginning with Southern California and now Northern California in Sonoma.
What do you write?
My focus is picture book biographies of creative people, particularly artists and architects who may not be as well-known as some of the bigger names. I absolutely love what I’m doing. I’ve had a variety of jobs — an amusement park roller coaster operator, a software licensing attorney a long-time school group docent at the San Franciso Museum of Modern Art, and a credentialed middle school Language Arts teacher. But I always tell children that no matter what job I had, in my own time I was writing stories. It just took a really long time to get published. So I feel like I’ve won the literary lottery with nine published children’s books.
Where do you write?
I have a delightful quiet writing loft filled with children’s books and my children’s artwork. I had carpal tunnel surgery a few years back, so I’ve learned that I need to protect my wrists and hands. I now work with a flat keyboard, an adjustable desk and a desktop computer. I try to stay off my laptop which I once took to coffee houses and libraries. I always write and take notes with Word, and my chief “helper” is my cat who has a propensity to sit on my keyboard. I have many photos of my cat “helping” me, and she’s quite the star of school presentations.
When do you write?
I try to sit down to work after I have coffee and do a morning online Zumba or other dance class. But I’ve learned that the classes need to be live scheduled ones so I can’t procrastinate. I try to put in a good couple of hours researching or writing before lunch. Sometimes I do more work in the afternoon, but I often instead review other writers’ books or read novels for my own pleasure.
Why do you write?
I tell children at school visits that my story began at the library where I checked out a big pile of books every week. I desperately wanted my name on the cover of a children’s book. And now the audience for my books, children, is what motivates me. I’m always asking myself how I can tell a story about a person whom I find captivating in a way that will hopefully engage a child. I hope to empower children with inspiring stories of people, such as I.M Pei who overcame prejudice and challenges leading up to the completion of his now iconic design of the pyramid at the Louvre.
How do you overcome writer’s block?
I don’t have traditional writer’s block because I always have something I can put down on paper. As a nonfiction writer, I count “writing” as the in-depth research and note-taking I do for each book. Of course, note-taking is easier than composing, so sometimes I need to tell myself to stop researching. I need to set aside the facts and just see where I connect to the emotion of the person’s story. But I do agonize about how to tell the story, hopefully in an engaging narrative way. That’s when I take lots of long walks and see if anything pops up. I was excited when I hit upon the beginning of The Glass Pyramid: “I.M. Pei is on a secret mission…I.M. worries that if word gets out that he, a foreigner, is working on a plan to change the beloved Louvre, the project will be blocked. So he tells no one.” I was then able to follow that throughline through the story to the last page when he’s applauded by a crowd outside the completed Louvre pyramid.
Bonus: What do you enjoy doing when not writing?
Spending time with my partner, family and friends. We often wander the beautiful local countryside. I’m always up for a visit to San Francisco museums and dance productions. And I find gardening a terrific break from writing as it’s so tangible — a pile of trimmed branches or weeds or a freshly picked bouquet always feels satisfying.
My thanks to Jeanne Walker Harvey for today’s interview.
